Art in East Sussex, UK

st. michael and all angels church in Berwick – Google SearchHad the opportunity of visiting the Church where the Bloomsbury artists painted murals. Vanessa Bell, Virginia Wolf’s sister, painted a mural after Wolf committed suicide. https://www.google.com/imgres?imgurl=https://upload.wikimedia.org/wikipedia/commons/4/4a/SomeBloomsburymembers.jpg&imgrefurl=https://en.wikipedia.org/wiki/Bloomsbury_Group&h=436&w=724&tbnid=h7nGTX-0ucKGgM:&tbnh=160&tbnw=265&docid=MArrrNXqrz6gcM&usg=__Th7OVe1idC3bF_p5ix2MlL_5Vxs=&sa=X&ved=0ahUKEwi36ObNhpjKAhXGlZAKHbQ3DSEQ9QEIIzAA
Link tells about the group. Will post more about St. Michael’s.

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Degas and Cassatt, Partners in Crime

auguste-reading-to-her-daughter-1910blue_dancers

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Quote on Wednesday

‘Painting is easy when you don’t know how, but very difficult when you do’.   Edgar Degas

Friend of Mary Cassatt (who I quoted yesterday).  Realistic painters.   She, although single, is noted for her mother and child subject matter.  Degas is often associated with his ballet dancers, among other subjects.

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Quote for the Day

Through the years, I have read quotes that inspire me and give me added confidence to paint.  Here is one by Mary Cassatt: “I live alone, and I love my work.”

Let’s hear it for solitude!

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“All art requires courage” Anne Tucker

As I sit regarding the blank white canvas, I am struck by the quote by Anne Tucker.  Even though we (as professional artists) have made canvas after canvas, the blank canvas still ‘rquires courage.’   Once I asked my son why he wished to travel to exotic places, he said, “Mom, I’m just a blank canvas.”  So it takes courage to live and it takes courage to paint.

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New Abstract Painting “Ancient Symbols”

The salmon colored shapes turned out to be what I imagined as ancient symbols: runes, cave art, etc.

The salmon colored shapes turned out to be what I imagined as ancient symbols: runes, cave art, etc.

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Exciting Exhibit – the Cortile Gallery

I was invited as a guest artist to show my work along with 10 other artists for the annual Gallery Labor Day Exhibition. The Cortile Gallery is located in Provincetown, MA….on Cape Cod. It should be a great opening on Aug. 29 from 6:30-8:30. For anyone who lives near, come on down!
I am showing two pieces, “5 On EDge” and “Neighborhood”…….C.Guthrie-5 OnEdge7in300DPI

C.Guthrie-Neighborhood

The two works are both 24″x30″ in acrylic. 5 on Edge won Best of Show in April. The Cortile Gallery is a great gallery…check it out.

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Process over Finished Product?

What is more exciting. The action of painting a piece, or looking at it after it has been resolved into a finished work? I often wonder what artists think about this. I hope there will be some comments from artists in regard to this.

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See.Me Billboard Show

It was pretty exciting, seeing the work of hundreds of artists flashed on billboards in Times Square. I didn’t get to the city for this event, but published photos of the works were as thrilling as fireworks. I actually could not see my 4 acrylic paintings but realize they were there for the crowd to see, in this enormous collage of images.

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Mannerists: The first Modern Artists?

As college student, I studied Renaissance Art and its non-conformist painters, the Mannerists. When I first viewed Parmigianino’s work, “Madonna with the Long Neck”

Madonna with the Long Neck.

Madonna with the Long Neck.

, I found it so unsettling. It violated all the Renaissance compositions that reflected harmony and a sense of balance. The Madonna is extremely distorted and the baby on her lap is over-large, while the figure to her right is tiny. With the figures crammed in to her left, surely there is no symmetry. There is a leg coming out of nowhere, not seeming to be attached to anyone in particular. Pontormo’s “Descent from the Cross”
Descent from the Cross

Descent from the Cross

uses the Renaissance colors (pink, blue, red) but the figures are in various positions that are detached and unrelated to the Christ on the Cross. Perhaps this is a truer version of the chaos around the Crucifixion than the harmonious balance depicted in earlier Renaissance works of the same subject. As an abstract artist, I studied them more carefully and developed a respect for these rebels. Distortion, unbalance, and disharmony can certainly be seen in the work of contemporary artists.

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